Very soon, Steve Carrell will leave The Office, and the good folks at Dunder Mifflin won’t have Michael Scott to push around anymore. When that happens, television won’t just be losing one of its greatest characters. It will also lose one of the few who started off as a caricature and made the difficult transition to a character. That’s a sad thing became it will mean losing one of the few characters who we can laugh at and care about at the same time. It seems fitting then to take some time and look at how the writers on The Office pulled off that feat and to ask what writers might learn from it. Continue reading ‘Michael Scott: From caricature to character’
Good Writer, Bad Writer
Good writer, bad writer reflects the philosophy behind the first writing lesson I attempt to teach students. Too many of them come into college believing that their writing abilities are set in stone. The bad writers continue to struggle, and the good writers don't take enough risks in their writing, figuring that any misstep will throw them back into the "bad writer" category.
Good writer, bad writer is my attempt to break the power of that dichotomy. On here, I share the lessons and attitudes that I teach, but I also talk about the attitudes I have towards my own writing since many of those have informed my own teaching. Thanks for visiting.
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